Fermenting: Perspectives on “the East”

Grassi Museum of Ethnology, Leipzig

2023

Building on the inter­vention “Refreshment Space 2” at the OSTEN Festival in Bitterfeld-Wolfen, the master’s program “Cultures of Curation” is presenting an exhibition in the Rapid Response section of the Grassi Museum of Ethnology. In “Fermenting: Perspec­tives on ‘the East,’” we explore what “the East” might mean today and how attri­bu­tions associated with “the East” can be conti­nually redefined.

A concrete-sealed wine cellar, rice wine, and pickled cucumbers: As a group, we work with the overar­ching concept of fermen­tation as a metaphor to explore ways of engaging with history—first at the Bitterfeld-Wolfen indus­trial site and ultim­ately at the GRASSI Museum of Ethnology. Fermen­tation is one of the oldest methods for working with micro­or­ga­nisms to make matter more durable, diges­tible, and otherwise usable. Above all, however, it is a living process that allows us to imagine possible futures. In what ways can the changes and upheavals emerging in the attri­bu­tions of “the East” be captured using the metaphor of fermen­tation and made visible in the museum?

In three chapters (TRANSFORMING, SPECULATING, FERMENTING), the exhibition traces the evolution of our under­standing of “the East” and draws on the processes of preser­vation, trans­for­mation, and specu­lation inherent in fermen­tation to convey its impres­sions of Bitterfeld-Wolfen into the museum space. In addition to thoughts and stories about objects in the collection that stimulate ideas and imagi­nings of “the East,” the exhibition brings together various artistic positions that explore the poten­tials of trans­for­mation. A disused exhibition space in the museum is integrated into fermen­tation processes just as much as soil, fruits, plants, or mementos.

With contri­bu­tions by Eric Meier, Trakal, Paula Erstmann, Anna Torkareva, Sean Roy Parker, Slavs and Tatars, Soy Division, Guy Eytan, Chinook Ulrich Schneider, Diego Bianchi, Delcy Morelos, and Stefan Vogel, among many others.

Curated by Sandy Becker, Julianne Csapo, Tuan Do Duc, Lisa Dreykluft, Anna Karpenko, Robert Köpke, Insa Langhorst, Elli Leeb, Dereck Marouço Sant’Anna da Silva, Martin Naundorf, Makoto Okajima, Iana Pitenko, Sophia Charlotte Reiser, Luise Richter, Elisa Maria Schmitt, Laura Stieg, Martha Schwindling, and Viviane Tabach, under the super­vision of Beatrice von Bismarck, Benjamin Meyer-Krahmer, and Julia Kurz.